On the iPhone 8, 8 Plus, X, 11, 12, you can record 1080p slow motion video at either 120 or 240 fps.
Slomo iphone pro#
Huawei P40 Pro, Mate 30 Pro, Mate 40 Pro Īll iPhone models can shoot slow motion videos with the default camera app.
Slomo iphone android#
The followings are some of the Android models with slo-mo video mode. If you are not sure if your Android phone supports slow motion videos, open the camera app on your phone, switch to video mode, go to Settings and check if there is a slo-mo option. For example, Samsung S20+ provides Super Slo-mo, which enables you to capture slow motion at up to 960 fps. Many high-end smartphones or even some affordable phones provide the slow-mo mode option in their camera apps. Most videos are played at 24, 30, or 60 frames per second, and if the camera manages to shoot more frames per second than 30 or 60 frames per second, the videos can be turned into slow motion. If your camera doesn't have a built-in slow motion video mode, no worry, shooting a video at 60fps, 120fps, or even higher frame rate per second, then editing the video with a slow-motion app can get you an awesome slow-motion video as well. Slow-motion video taken by AKASO V50 Elite Turn on the camera, tap the mode icon to enter the video mode menu, and select Slow Motion mode. If you own an AKASO action camera, recording a slow motion video is as easy as clicking a few buttons. AKASO provides slow-motion recording in all its cameras, from the entry-level EK7000 to the flagship Brave 7. Action cameras, for example, usually come with slow-motion mode. Many cameras offer slow motion mode by default.
Slomo iphone how to#
This post will cover both how to record slow motion videos and how to make a normal video slow motion. Some Android or iPhone models also offer the slo-mo feature in their default camera apps. To make slow motion videos, you can either record videos with a camera with slow motion mode or make a normal video slow motion with video editing apps. Looking for more videography tips and tricks? Check these out.Things look cooler in slow motion, even little things such as water falling from a hose, salt falling onto a table. Since you always have the camera with you, go ahead and give it a shot! Be sure to interpret your footage in your NLE of choice for correct playback.Īs with any new form of cinematography, it’s best to experiment as much as possible. Now when you drag these into your edit, they’ll play back at the speed you want. Right-click the clip and choose Interpret Footage, then set it to match your timeline, usually 24 or 23.976. If you shot 60p normal speed video, you’ll need to tell your editing program that you shot this in slow-motion, but you want to play it back at normal speed. Once you’ve shot your clips, take them into Premiere - or your NLE of choice. I’ve found airdrop is the simplest way to transfer files from phone to computer, if both are on the same network. If you end up shooting too much slow motion, and have an unwieldy clip, you can go in and trim it in the iPhone’s edit tab before you import it into your computer. The slower you go, the more action and motion you need. Sand, paint, and fire also make compelling slow motion footage because of how dynamically they move and interact. Water is a great slow motion subject because of how active it is. That means moving the camera - as well as making certain something is happening to the subject. Each slow motion mode is suited for particular subjects.Ī good rule of thumb is that the slower you go, the more action and motion you need in the frame.
Slomo iphone 240p#
Ten seconds of 240p is almost two minutes at playback speed. This is great for something that lasts a fraction of a second, like hitting a fastball or breaking a balloon.Ī common mistake people make with slow-motion is actually shooting too slow and then ending up waiting for the right moment. Every second in real time is going to take ten seconds to play back. Save it instead for more resonant actions that benefit from longer playback. This mode is more narratively powerful than 60p, so you wouldn’t want to overdo it on something like a long walking scene. It works best for human movement that benefits from a dramatic presentation. The 120p mode stretches out a moment in time, like a leap into water or a backflip. This works great for a tracking shot on someone walking - or for pushing in on a subject of interest. Slowed down to 24p in post, it creates a cinematic look without freezing the motion or making the action take too long.
The 60p mode adds a layer of dreaminess to an otherwise normal clip.
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